Literary
The Earth Will Be Fine, forthing Landfall Magazine x RMIT non/fictionLab ‘Making Space’ series
Him and Then Her, Eleven Stories: The Desperate Literature Short Fiction Prize Shortlist Selection
Field Notes, a newsletter with observations on the weather and mothering
The weather up here, The Incompleteness Book II, the Australian Association of Writing Programs,
Horror Vacui by Mia-Francesca McAuslan and Jon Tjhia, Institute of Modern Art: Making Art Work
9 Slices: a book created by 27 people over 9 days, School of Media and Communication, RMIT University and the Emerging Writers’ Festival
Interview: EWF Creative Producer Mia-Francesca McAuslan
What Would Heal My Weird Heart? Words with Eileen Myles, Lor Journal
An Interview with Shawn Wen, The Lifted Brow Digital
An Interview with Novelist Darcey Steinke in Brooklyn, NYC, Lor Journal
Writers’ Other Jobs, The Writers’ Bloc
All These Dogs In The Wind & Les Printemps, Metatron Press (Montreal)
Bird Moon, Alien Mouth Journal (Texas)
green, La Review (Paris)
Neptune Archive: COVID-19 Collective Dream Journal
Criticism
Reviews for ‘Arts Hub’: Nan Goldin: The Ballad of Sexual Dependency, Paris: Impressions of Life (1880-1925), Possum Magic: Alexander Theatre, Mary Quant: Fashion Revolutionary
Articles for Renew Magazine, Technology for a Sustainable Future: AI and Sustainability: Promises and Perils, Decarbonising the Arts
Articles for The Wheeler Centre: Greener Pastures: Finding meaning in the great outdoors; Off the Page: Writers on Screen; Business as (Un)usual: Bookselling under lockdown, Reading for Kids
Articles for the Australian Council of Trade Unions, Women to the Front
Reviews for the ‘Australian Audio Guide’: Search Engine Sex, Brain on Nature, Oh My Dog and others
Review: Broede Carmody’s ‘Flat Exit’, Rabbit Poetry Journal (Melbourne)
Introduction & editorial for ‘Crumble’ by Rima Martins, e/merge: collectivity
Copywriting
I have worked with a wide range of clients on content that appeals to the emotional compass of the audience — including The Guardian Labs, University of Melbourne, Australian Council of Trade Unions, Virgin Australia, Renew Org, Arts Hub, NSW Southern Local Health District, South Australia Tourism, The Wheeler Centre and many other government, not-for-profit and arts organisations.
You can browse examples of my content on my Clippings profile here, and contact me for rates and availability.
Samples:
Women to the Front, a weekly newsletter on women’s working rights for Australian Council of Trade Unions
Better Off Dead Season 2 (podcast): Episode pages, The Wheeler Centre
The Leap Year (podcast): Episode pages, The Wheeler Centre
Audio Production
Nature Writing Audio Walk, 2021
A 5-part audio walkshop produced for ACMI’s Creative Emporium Hub, about how to incorporate everyday nature into writing craft. An extract and an interview about this work was featured on ABC Radio’s Regional Mornings show.
The walkshop can be accessed via Emporium Creative Hub’s website, and the Echoes App.
Solastalgia, 2021
An audio narrative work produced as part of a City of Greater Bendigo’s Creative Recovery Residencies, 2021. This work was showcased at the inaugral Conflux creative symposium, hosted at the Beehive Building in Bendigo.
The Leap Year, 2020
I was lead producer on the Wheeler Centre’s flagship podcast, The Leap Year, on the stretching and shrinking days of 2020 and the affect of COVID-19 on Australian’s lives. This 24-part podcast, hosted by journalist Sally Warhaft, includes interviews with both everyday people and key figures of the 2020 pandemic, including immunologists, artists, doctors, teachers, musicians, writers and teenagers. All episodes are available via The Wheeler Centre website, and wherever you get your podcasts.
Audio/Digital Curation
The Wheeler Centre, 2020-21
Institute of Modern Art’s Make/Shift series, 2o2o
Vision Australia’s Radio Programmes, 2020
Emerging Writers’ Festival digital showcase, 2018
Lor Journal digital publications, 2015-2020
Audio Writing
The Australian Audio Guide (Co-Editor), 2020-21
The Bello Collective (guest), 2020